Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thursday, June 25, 2015

30. The Band - The Band


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On this work, the bottom third of the the photo on the original album cover art design was cropped off and the remaining image was mirrored. The resulting image, now about equal in
measurement on all sides was positioned to the right of the brown canvass which had already been set to measure 18x10. A smaller reproduction of the original album cover photo
was pasted at left and the album title was enlarged and pasted above it.


Here's the original album cover art design.  



No. 45, Rolling Stone, 500 Greatest Albums of All Time; No. 45, The Virgin All-Time Album Top 1000.


Album design by Bob Cato, photo by Elliot Landy. Album produced by John Simon. Capitol 1969.


Designed by the great Bob Cato, using an Elliot Landy photograph, this simple cover speaks volumes of what waits inside. Their first album, Music From Big Pink
did not show the members of the group on either the front or the back; you had to open it up to see the group. Here they confront you head-on, staring at you
from another time. This was the time of paisley and psychedelic design and fonts. Not this band, there were dressed as workers, laborers, as if they stepped
out of 1940’s  America. Hell, they could’ve been mistaken for hobos then. The album was sepia toned as if taken from our grandparents’ scrapbook. And
the music reflected it all, and magnificently. A masterpiece. Source


It's as if an itinerant old-time medicine show somehow skipped a few generations, pulled off a two-lane Arkansas highway in 1910, and woke up in 1968, with
its remaining potions turned to hallucinogens. Of course the time travellers had stories to tell—about the wily old South, where men with names like Virgil
and Eustace tended the land, and there was pride just in surviving.

Four Canadians and one Southern "ringer" (drummer Levon Helm, who grew up in Arkansas), the Band caught what was wild and romantic about America,
and framed it in ramshackle grandeur with a touch of a hippieera batik. The musicians first played together backing rockabilly singer Ronnie Hawkins,
but became cohesive backing Bob Dylan during his shift from acoustic folk to rock. When the Band moved out of the Big Pink house in Woodstock,
New York, the group of talented multi-instrumentalists discovered they had something different, but no less profound, to say on their own.
That's instantly evident in the story-songs on their first album, Music from Big Pink, and this masterpiece — a one-two punch the likes of
which rock and roll hasn't seen since. Full article


(A) Across the Great Divide - Rag Mama Rag - The Night They Drove Old Dixie Down - When You Awake - Up on Cripple Creek - Whispering Pines

(B) Jemima Surrender - Rockin' Chair - Look Out Cleveland - Jawbone - The Unfaithful Servant - King Harvest (Has Surely Come)


"King Harvest (Has Surely Come)" live from Robbie Robertson's studio in Woodstock NY from promised land on YouTube.


            

  

Saturday, May 23, 2015

22. Paul Simon - Graceland


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The original album cover art design depicts Saint George from an ancient Ethiopian manuscript called a harag dating back to the late 15th century. Saint George is the patron saint of Ethiopia. There is a
cathedral of Saint George in Addis Ababa, the Ethiopian capital. Saint George is often depicted in Ethiopian Orthodox Christian art where his icons are placed next to the Virgin Mary. One such
depiction is a mural in the church of Mengitsu Berhan Selassie in Gondar.

African art was the main influence of Proto-Cubism. The Les Demoiselles d'Avignon (1907), one of the early cubist works of Pablo Picasso, the co-founder of the Cubist movement,
is classified under his African-influenced period.

The work above is a primitive study in cubism and an experiment of the use of the craquelure texturizing tool. The original album cover art design was halved and pasted at left.
The other half was pasted at right. It was reduced so that its outer frame would fit into the borders of the left half. My intention was not clear as I was doing this, but it 
transformed the horse into a galloping mood.


Here is the work of Pablo Picasso. The eyes are always facing up front even if the head is facing to the side.



Saint George slaying the dragon, a popular subject in Ethiopian Orthodox Christian iconography.



This is the original album cover art design.



No. 18, Entertainment Weekly, 100 Greatest Albums Ever; No. 43, The Virgin All-Time Album Top 1000; No. 71, Rolling Stone, The 500 Greatest Albums of All Time;
No. 85, Rate Your Music, The 100 Greatest Albums of All Time; No. 124, Billboard, The 300 Best-Selling Albums of All Time.


Centre image from Ethiopia, The Christian Art of an African Nation: The Langmuir Collection, Peabody Museum of Salem by Elizabeth Cross Langmuir,
Stanisław Chojnacki, Peter Fetchko, Peabody Museum of Salem. Photo by Mark Sexton. Album produced by Paul Simon. Warner Brothers 1986.


Recorded between 1985–86, Graceland features an eclectic mixture of musical styles, including pop, rock, a cappella, zydeco, isicathamiya, and mbaqanga.
Simon created new compositions inspired by the recordings made in Johannesburg, collaborating with both African and American artists. Simon faced controversy
for seemingly breaking the cultural boycott imposed by the rest of the world against the apartheid regime in South Africa at the time. In addition, some critics
viewed Graceland as an exploitive appropriation of their culture. Following its completion, Simon toured alongside South African musicians, combining the
music of Graceland and their own music.

Despite the controversy, Graceland was a major commercial hit. His highest-charting effort in over a decade, Simon's return to the forefront of popular music was
considered a remarkable comeback. It attracted rave reviews from music critics, won the Grammy Award for Album of the Year, and sold over 16 million copies
worldwide. Graceland has been called one of the best albums of the 1980s, and is present on list of "greatest" albums by multiple publications. It was added to
the National Recording Registry in 2007 for being "culturally, historically, or aesthetically important." More


(A) The Boy in the Bubble - Graceland - I Know What I Know - Gumboots - Diamonds on the Soles of Her Shoes

(B) You Can Call Me Al - Under African Skies - Homeless - Crazy Love, Vol. II - That Was Your Mother - All Around the World or The Myth of Fingerprints


"Township Jive" (not in album) live from benbruch on YouTube.


              

Sunday, May 10, 2015

18. The Jimi Hendrix Experience - Are You Experienced


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This small project was totally unplanned; I never imagined that the finished work would come out this way. To say it differently, I just kept on exploring possibilities and experimenting with
new tools until I finally decided to stop. When I did, the work came out this way. 

I began with the replace colour and found that after repeated tries I could obtain the colours of the florescent paints that we used to paint the psychedelic posters that decorated
our walls back in the 1970s - without changing the colour of the calligraphy and the image of the band at centre. Next, I experimented with different
levels of the stylize/extrude; and then I decided that the desired effect should emulate the globs of coloured lights that circled sleepily above our
heads as we listened to the music while we stood still on the dance floor. We were drunk or we were high. If not, we pretended to be. 

In 1966-71 my parents sent me to a provincial high school that was owned and managed by the Roman Catholic Church. We
were far from the city. We usually hung out at a store nearby where we could share the latest news and I would go
directly to the movie section to see what's showing and what's coming. "Woodstock" was coming to the city.
Before I got the chance to see it first run, Jimi Hendrix was dead.

I came to the city in 1971 to go to college (and work). There was an old dilapidated theatre at a marketplace
with only electric fans to circulate the heavy air that reeked of sweat even from the outside. The
posters were old and torn and faded. The mud that caked the sidewalk led to the ticket booth
and inside. I swore to myself I will never be in a place like this. But one fateful day, 
"Woodstock" was showing. I lived to tell the story. With neither shame nor glory.


This the original cover art design on the album's release for North America. 
    

No. 2, Rate Your Music, The 100 Greatest Albums of All Time; No. 15, Rolling Stone, The 500 Greatest Albums of All Time;
No. 26, Entertainment Weekly, 100 Greatest Albums Ever; No. 63, The Virgin All-Time Album Top 1000.


Art design and photo by Karl Ferris. Album produced by Chas Chandler. Track (UK), Reprise (US) 1967.


Jimi Hendrix disliked the UK cover of Are You Experienced, so arrangements were made for a photo shoot with graphic designer Karl Ferris. Hendrix wanted "something psychedelic", so he requested
Ferris because he appreciated the photographer's sleeve-work on The Hollies' Evolution. During a meeting with the band, Ferris told Hendrix that he wanted to hear more of their 
music from which to draw inspiration. They accommodated his request by allowing him to attend several sessions for their second album, Axis:Bold as Love.

Ferris brought home tapes from the sessions, which along with Are You Experienced he listened to intently. His first impression of the music was that it was "so far out that
it seemed to come from outer space", which inspired him to develop a backstory about a "group travelling through space in a Biosphere on their way to bring
their unworldly space music to earth." With this concept in mind, he took colour photographs of the band at Kew Gardens in London, using a
fisheye lens which was then popular in Mod sub-culture. Ferris used what (author Sean) Egan described as "an infrared technique
of his own invention which combined colour reversal with heat signature", further enhancing the exotic nature of the image. 

Ferris was an experienced fashion photographer, and his interest in the finer details of his covers led him to choose the band's wardrobe. After seeing
Hendrix with his hair combed away from the scalp, Ferris requested that he wear it that way during the photo shoot. Hendrix's girlfriend,
Kathy Etchingham, trimmed his hair to improve its symmetry, forming an afro that became the basis of a homogenized
Experience image. Ferris chose the cover's yellow background and its surreal lettering, and he intended
for a textured gatefold jacket that Reprise, as a cost-saving measure, did not approve. Full article


(A) Purple Haze - Manic Depression - Hey Joe - Love or Confusion - May This Be Love - I Don't Live Today

(B) The Wind Cries Mary - Fire - Third Stone from the Sun - Foxy Lady - Are You Experienced?



"The Wind Cries Mary" live from mjchris54 on YouTube.

            

Thursday, May 7, 2015

17. U2 - Achtung Baby


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On this work I left the math to do the art. The original album cover art design (below) has 16 images of which six are monochromes and ten are colour photos. The ten colour photos were halved into
'reds' and 'blues'. This work is actually composed of two montages. Each montage has 16 images.

For the montage at left, I used the five 'blue' images twice, positioning each one starting at top left and moving counter-clockwise. I used the monochromes to fill the remaining spaces.

For the montage at right, I used the five 'red' images also twice and the six monochromes for the remaining spaces to cover a total of 16 squares as I did at left. On some parts
I used a quarter size of the image four times. The arrangement of the 'red' images starts with the citrus vendor, the one to the right of the star-formed stack of
bullets (or bombs?), moving half a step upwards then to the right corner, and from there towards the bottom left corner and then to the right, and
finally moving half a step upwards, ending with the same image as the one used at the start.


This is the original album cover art design.




  No. 23, Entertainment Weekly, 100 Greatest Albums Ever; No. 36, The Virgin All-Time Album Top 1000; No. 48, Rate Your Music, The 100 Greatest Albums of All Time;
No. 63, Rolling Stone, The 500 Greatest Albums of All Time; No. 88, Billboard, The 300 Best-Selling Albums of All Time.

Art design by Steve Averill and Shaughn McGrath, photos by Anton Coribjn. Album produced by Daniel Lanois and Brian Eno. Island 1991.

To parallel the band's change in musical direction, Averill and McGrath devised sleeve concepts that used multiple colour images to contrast with the seriousness of the individual,
mostly monochromatic images from previous U2 album sleeves. Rough sketches and designs were created during the recording sessions, and some experimental designs were 
conceived to closely resemble, as Averill put it, "dance-music oriented sleeves. We just did them to show how extreme we could go. But if we hadn't gone to these
extremes it may not have been the cover it is now."

An initial photo shoot with the band's long-time photographer Anton Corbijn was done near U2's Berlin hotel in late 1990. They commissioned Corbijn for an additional
two-week photo shoot in Tenerife in February 1991 and a four-day shoot in Morocco. Additional photos were taken in Dublin in June. The images were
intended to confound expectations of U2, and their full colour contrasted with the monochromatic imagery on past sleeves.

Several photographs were considered as candidates for a single cover image. Ultimately, a multiple image scheme was used, as U2, Corbijn, Averill, and the
producers thought that "the sense of flux expressed by both the music and the band's playing with alter egos was best articulated by the lack
of a single viewpoint". The resulting front sleeve is a 4×4 squared montage. Some photographs were used because they were striking
on their own, while others were used because of their ambiguity. 

The German word "Achtung" translates into English as "attention" or "watch out". The title was selected in August 1991 near the end of the album
sessions. According to Bono, it was an ideal title, as it was attention-grabbing, referenced Germany, and hinted at either romance
or birth, both of which were themes on the album. The band was determined not to highlight the seriousness of the lyrics
and instead sought to "erect a mask". Bono said, "It's a con, in a way. We call it Achtung Baby, grinning up our sleeves
in all the photography. But it's probably the heaviest record we've ever made." Full article


(A) Zoo Station - Even Better Than the Real Thing - One - Until the End of the World - Who's Gonna Ride Your Wild Horses - So Cruel

(B) The Fly - Mysterious Ways - Tryin' to Throw Your Arms Around the World - Ultraviolet (Light My Way) - Acrobat - Love is Blindness

"Until the End of the World" live 2012 from JohnnyTiger88 on YouTube.


               

Saturday, April 25, 2015

14. The Velvet Underground & Nico - The Velvet Underground & Nico


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Tom Petty once answered a critic's complaint about rock and roll not being very good by saying, "It's not supposed to be good. . . , it's rock and roll." Taken within the context of that remark, The Velvet Underground and Nico is very good, indeed. Taken within the standard of today's art, with its digital tools and indefinite techniques, of Andy Warhol's print of a banana on the cover of the
celebrated album, I might say, that's not the best banana you can find in any store, in any storage, or anywhere in cyberspace, but it's Andy Warhol's print. It has made its mark. 
That was good - when I was twelve years old.

Or in fact, it still is. In January 2012, the "Velvet Underground" business partnership sued The Andy Warhol Foundation for the Visual Arts, Inc. after the Foundation
licensed the cover's banana design to Incase Designs for use on a line of iPhone and iPad cases. So there.

I still don't understand why a banana would appear on the cover of a rock album which was classified punk before there was punk. That was awful;
one source says the album only sold ten thousand copies. But (the source also says) everyone who bought it formed a band. 

I am not among them. My banana is a woman.


Here is Andy Warhol's original album cover art design.




No. 13, Rolling Stone, The 500 Greatest Albums of All Time; No. 13, The Virgin All-Time Album Top 1000; No. 24, Rate Your Music, The 100 Greatest Albums of All Time;

No. 38, Entertainment Weekly, 100 Greatest Albums Ever.

No. 10, Rolling Stone, The 100 Greatest Album Covers; No. 13, Music Radar, The 50 Greatest Album Covers of All Time.


Print by Andy Warhol. Album produced by Andy Warhol and Tom Wilson. Verve 1967.

Released in early 1967, but recorded close to a year before, The Velvet Underground & Nico, along with The Beatles' Sergeant Pepper's Lonely Hearts Club Band, introduced a new form of rock music:
the artsy concept album. Sgt. Pepper had its lavish, high-concept album cover, while The Velvet Underground & Nico represented the postmodern side, with Andy Warhol’s banana on a white
background. Musically, The Beatles pulled out all the stops, meticulously recording their album over several months. The Velvet Underground (Guitarist/singer Lou Reed,
multi-instrumentalist John Cale, rhythm guitarist/bassist Sterling Morrison, drummer Maureen Tucker, and “chanteuse” Nico), on the other hand, needed just
3000 dollars and one day in the studio.

The result of that quick studio visit is astonishing, a combination of white noise, classic rock and roll, soul, and folk music, a sound that is impossible to
categorize in anything else but “The Velvet Underground”. Wispy-gentle one moment, chugging and driving the next, disturbing a few minutes
later, and cacophonous at the end, The Velvet Underground & Nico was so far ahead of its time that it still sounds fresh today. Full article


(A) Sunday Morning - I'm Waiting for the Man - Femme Fatale - Venus in Furs - Run, Run, Run - All Tomorrow's Parties

(B) Heroin - There She Goes Again - I'll Be Your Mirror - The Black Angel's Death Song - European Son

"All Tomorrow's Parties", music, pictures, & lyrics from Thecraziestdiamond on YouTube.


          

Saturday, March 7, 2015

5. Eagles - Hotel California




The original album cover art design is at right. At left is the same image processed with the glowing edges and flipped. Actually the bottom of each image has been cropped off so that two
10x10s could fit into an 18x10 frame. The cropping took with it part of the album title so the bottom portion was darkened in order to hide the obvious.
The title was then selected and cut from another image and pasted in its proper place.

I think I have somewhat captured the essence of the title song with this image. Like "some 'glance' to remember, some 'glance' to forget."
For now, at least, all I've done is imagine. "Such a lovely place!"


This is the original album cover art design.




No. 22, Billboard, The 300 Best-Selling Albums of All Time; No. 37, Rolling Stone, The 500 Greatest Albums of All Time;
No. 67, The Virgin All-Time Album Top 1000; No. 69, Rate Your Music, The 100 Greatest Albums of All Time.

No. 6 Rolling Stone, The Greatest Album Covers; No. 37, Music Radar, The 50 Greatest Album Covers of All Time.


Art direction by John Kosh, photo of The Beverly Hills Hotel by David Alexander. Album produced by Bill Szymszyk. Asylum 1976.

John Kosh: "For the album cover, Don (Felder) wanted me to find and portray the Hotel California - a hotel which would best

exemplify a classic 'California hotel', and to portray it with a slightly sinister edge." "We photographed three hotels
that fit the brief including some with a rather 'seedily genteel' character. The shot of The Beverly Hills Hotel
against the golden sunset was deemed the favorite." More


(A) Hotel California - New Kid in Town - Life in the Fast Lane - Wasted Time 

(B) Wasted Time (Reprise) - Victim of Love - Pretty Maids All in a Row - Try and Love Again - The Last Resort



"Hotel California" live from User666 on YouTube.




   

www.eaglesband.com 

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