Showing posts with label the beatles. Show all posts
Showing posts with label the beatles. Show all posts

Wednesday, May 20, 2015

21. The Beatles - Abbey Road


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On this work, the top fourth of the original album cover art design (from above the street lamp near the black car at right) was stretched so that the square image could fit into half an 18X10 canvass.
It was pasted at right and was flipped and the flipped image was pasted at left.

The first impression that one will have upon seeing this image is that it is half real and half unreal - that is, the flipped image is unreal. On closer look, the flipped image is not totally unreal,
for its bottom half resembles the reflections of tree and sky on clear waters. And then I wouldn't mind answering the question why those reflections are above pedestrians' heads 
instead of below. But what if I saw that image in a record store and bought the album and played the record only to find that the music is playing backwards?

Backmasking is a recording technique in which a sound or message is recorded backward onto a track that is meant to be played forward. It was popularised
by The Beatles, who used backward instrumentation on their 1966 album Revolver. Backmasking was also used by Queen ("Another One Bites the Dust"),
The Eagles ("Hotel California"), Deep Purple ("Stormbringer"), and Led Zeppelin ("Stairway to Heaven"). More 


Here's the original album cover art design. A lot of rumours went with this image, mostly centred on the theory that 'Paul is dead.'



No.3, Rate Your Music, The 100 Greatest Albums of All Time; No. 8, The Virgin All-Time Album Top 1000; No. 14, Rolling Stone, The 500 Greatest Albums of All Time;
No. 22, Entertainment Weekly, 100 Greatest Albums Ever; No. 32, Billboard, The 300 Best-Selling Albums of All Time.

No. 26, Music Radar, The 50 Greatest Album Covers of All Time.


Design by John Kosh; photo by Ian McMillan; suits by Tommy Nutter. Album produced by George Martin. Apple 1969.


The procession of The Beatles across the zebra crossing, say the conspiracy theorists, represents Paul's funeral. John Lennon leads in a white suit and symbolises the preacher; Ringo Starr is the mourner,
dressed in black; George Harrison, in scruffy shirt and trousers, denotes the grave-digger; Paul is wearing an old suit and is the only one who is barefoot. This, was a sign that Paul was the corpse. 

Paul McCartney is left-handed, but here holds his cigarette in his right hand. At the time, cigarettes were commonly referred to as 'coffin nails'. This, therefore, could be seen as a message
that Paul's 'coffin lid' had been nailed down and that the man in the picture was a lookalike. Paul is also out of step with the other band members. Each of the others has his left leg
forward, but Paul has his right leg forward - again marking him out as different. 

The VW Beetle in the background has the registration LMW 28IF - 28 being the age theorists say Paul would have been if he hadn't 'died'. In fact, Paul was 27 when
Abbey Road was released - but fortunately for the theorists, Indian mystics count a person's age from conception, not birth, in which case Paul would have
indeed been 28 at the time. The band were famous followers of the Indian guru, Maharishi Mahesh Yogi. It has also been suggested that the LMW
stands for 'Linda McCartney Weeps' - referring to his new wife whom he had married earlier that year. More

The fadeout of "Strawberry Fields Forever" has John Lennon seemingly saying "I buried Paul."

The image of the Beatles on the crossing has become one of the most famous and imitated in recording history. The crossing is a popular destination for Beatles fans. In December
2010, the crossing was given grade II listed status for its "cultural and historical importance"; the Abbey Road studios themselves had been given similar status earlier in the year.
In 2013, Kolkata (India) Police launched a traffic safety awareness advertisement against jaywalking, using the cover and a caption that read: "If they can, why can't you?" More


(A) Come Together - Something - Maxwell's Silver Hammer - Oh! Darling - Octopus's Garden - I Want You (She's So Heavy)

(B) Here Comes the Sun - Because - You Never Give Me Your Money - Sun King/Mean Mr. Mustard/Polythene Pam/
She Came In Through the Bathroom Window - Golden Slumbers/Carry That Weight/The End - Her Majesty

"Come Together" live from Brad Dilon on YouTube.


            

  




Saturday, March 14, 2015

2. The Beatles - Sergeant Pepper's Lonely Hearts Club Band


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On this image the original album cover art design is at centre. It was flipped and sliced into pieces; each piece containing one to three images of the members of the group.
The pieces were then pasted on the left and the right sides. I guess everyone is there except The Beatles.

The bust on the ground was also copied and pasted over the white cloth that covered the head of the golden figure at right and the doll next to it was doubled.
The slopping patch of grass at lower right was mirrored as well as the flower patch on the opposite side.
The purpose was to extend the horizon, but it created more asymmetry on the ground.

It looks like my processed image is less chaotic than the original. On second thought, it was really like
pasting my picture on the wall and posing beside it for exactly the same shot.


Here's the original album cover art design.



No.1, Rolling Stone, The 500 Greatest Albums of All Time; No. 1, Rate Your Music, The 100 Greatest Albums of All Time;
No. 3, The Virgin All-Time Album Top 1000; No. 34, Billboard, The 300 Best-Selling Albums of All Time.

No. 1, Rolling Stone, The 100 Greatest Album Covers; No. 3, Music Radar, The 50 Greatest Album Covers of All Time.


Art direction by Robert Fraser, design by Peter Blake and Jan Haworth, photo by Michael Cooper. Album produced by George Martin. Parlophone 1967.

The musicologist Ian Inglis notes that almost every account of the significance of Sergeant Pepper's emphasizes the cover's "unprecedented correspondence
between music and art, time and space." After it's release, album covers were no longer "a superfluous thing to be discarded during the act of listening,
but an integral component of the listening that expanded the musical experience." More


(A) Sergeant Pepper's Lonely Hearts Club Band - With a Little Help from My Friends - Lucy in the Sky with Diamonds - Getting Better - Fixing a Hole - She's Leaving Home - Being for the Benefit of Mr. Kite. 

(B) Within You Without You - When I'm Sixty-Four - Lovely Rita - Good Morning, Good Morning - Sergeant Pepper's Lonely Hearts Club Band (reprise) - A Day in the Life


"A Day in the Life" music video from rogermoore3's channel on YouTube.




     

  www.thebeatles.com


Previous: Pink Floyd - The Dark Side of the Moon




Wednesday, March 11, 2015

11. The Beatles - Rubber Soul


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This is the hair we loved to wear in high school. Those memories kept me pondering on how to make these hairs look like the way they were on the cover of Revolver. I tried on several processing options,
and the best I could find was the poster edges. I also adjusted the colour of the title to resemble what I recall as the colour on the album I had. It does look lighter on this dark background.

On this image, the square original album cover design was stretched in order to fill half of an 18 x 10 frame and placed at right. A copy was flipped and added at left,
giving the viewer the feeling of being looked down upon by the Beatles and their mirrored doubles. The flipped image was then reduced and used to cover the
inverted title on the first flipped image. This process was repeated twice over, giving the viewer the feeling of being looked down upon by four more
guys on each of three levels, one on top of the other - and making him/her oblivious that its only purpose was to hide the inverted titles. 


Here's the original album cover art design.



No. 5 Rolling Stone, The 500 Greatest Albums of All Time; No. 8, Rate Your Music, The 100 Greatest Albums of All Time; No. 34, The Virgin All-Time Album Top 1000;
No. 46, Entertainment Weekly, The 100 Greatest Albums Ever; No. 153, Billboard, The 300 Best-Selling Albums of All Time.

No. 38, Music Radar, The 50 Greatest Albums Covers of All Time.


Photo by Robert Freeman, calligraphy by Charles Front. Album produced by George Martin. Parlophone 1965.

The "stretched" effect of the cover photo came about after photographer Bob Freeman had taken pictures of the group wearing suede leather jackets at Lennon's house.
Freeman showed the photos by projecting them onto an album-sized piece of cardboard to simulate how they would appear on an album cover.
The unusual Rubber Soul album cover came to be when the slide card fell slightly backwards, elongating the projected
image of the photograph and stretching it. Excited by the effect, they shouted, "Ah! Can we have that?" More


(A) Drive My Car - Norwegian Wood - You Won't See Me - Nowhere Man - Think For Yourself - The Word - Michelle

(B) What Goes On - Girl - I'm Looking Through You - In My Life - Wait - If I Needed Someone - Run For Your Life 


"Nowhere Man" live from TheBeatlesVEVOHQ on YouTube.



Saturday, March 7, 2015

31. The Beatles - Revolver




On this image, the original album cover art design is at centre. It was halved. The left half was flipped as pasted on the left side and the right half was also flipped and pasted on the right. Strips of
black and white were then added at the top and bottom in order to fill the  remaining spaces and to create the illusion that the whole image is comprised of two images; one of Paul
and Ringo at left and another of John and George at right. John's image is the one that fascinates me most - he appears like Cyclops and Siamese twins rolled into one!


This is the original album cover art design.




No. 1, Entertainment Weekly, 100 Greatest Albums Ever; No. 1, The Virgin All-Time Album Top 1000; No. 3 Rolling Stone, The 500 Greatest Albums of All Time;
No. 4, Rate Your Music, The 100 Greatest Albums of All Time; No. 233, Billboard, The 300 Best-Selling Albums of All Time.

No. 31, Music Radar, The 50 Greatest Album Covers of All Time.


Illustration by Klaus Voorman, photos by Robert Whitaker. Album produced by George Martin. Parlophone 1966.

Part line drawing, part collage, Revolver's iconic album cover is the handiwork of the German artist Klaus Voorman, The Beatles' old pal. Voorman designed
the cover to mirror the feel of the music itself at the psychedelic dawn. "They were being so avant-garde," Voorman has said. "I thought the cover
has to do the same thing. How far can I go? How strange and surreal it can be?" More


Voorman was nervous when he brought his new creation to The Beatles at Abbey Road Studios. "I put it up on the shelf, and there was
silence in the room. I was shaking. Then they came over and started talking details and the ice was broken and I was so happy."
Paul remembers that day, "It was very exciting to see the drawing. It was, 'Wow, what a great cover!'" "And that...,"
says Klaus decades later, "...made me so happy." More


(A) Taxman - Eleanor Rigby - I'm Only Sleeping - Love You To - Here, There & Everywhere - Yellow Submarine - She Said, She Said

(B) Good Day Sunshine - And Your Bird Can Sing - For No One - Doctor Robert - I Want to Tell You - Got to Get You Into My Life - Tomorrow Never Knows


"Here, There and Everywhere" music and pictures from PJGM8 on YouTube.